We’re sitting in a communal space in one of the “hotels” used by the Home Office to house people seeking safety, whilst they wait for their asylum claims to be accepted or rejected. This process can take years and people live in constant fear of detention or deportation back to their country of origin where they escaped war, torture and/or persecution. A musician from our team who is himself a refugee from Syria, is playing gentle melodies on his Oud (a short necked lute instrument, originating in South West Asia and North Africa, a precursor to the guitar).

A few people are sitting around, including a mum with her toddler.  She’s giving him food, he leans forward, smiling, engaged with the music. His mum laughs and comments how much he enjoys music. There are around a dozen seats in the room, they’re all filthy. The carpet is threadbare and looks like it’s not been vacuumed for quite some time. It wouldn’t be unreasonable to estimate the walls haven’t seen a fresh coat of paint for many a year. After the child has eaten, and we’ve all cleaned the floor as best we can, mum places him on the floor, so he can join in with the music.

Research shows that many people who have been forcibly displaced suffer from extreme stress and trauma. Although this is not always clearly visible, recently arrived people can appear nervous and withdrawn, in an extreme state of stress. Music has been shown to be a great way to decrease stress levels from trauma and increase wellbeing and belonging. 

Some of the people arriving only know a little English. In this particular hotel there are currently weekly English classes, run by volunteers; these can be sporadic, depending on people’s work patterns  and availability. This is not universal across the UK.  The music session ends up being quite a big group, with a range of languages spoken and sung including Arabic, Farsi, Kurdish and Tigrinya. We play together to co-create new songs, or make new versions of older songs to include the different languages in the room. 

Very often, people who’ve been in the hotel longer, will welcome newly arrived people and help them feel included. Music sessions are a safe space, where everyone can feel comfortable. The mum and her young child stay for the whole session, she claps along to the music and chats, the baby picks up various instruments and waves them to the music. 

A recent survey by RAMFEL of people living in hotels found that:

  • 49% said their room was overcrowded, with whole families of six in a single space
  • 80% said the food was “really bad,” and largely inedible
  • 34% had a medical condition or disability, yet none received necessary adjustments
  • 75% had raised concerns about conditions in the hotels, but in most cases no corrective action was taken

These are the voices you seldom hear. People seeking safety are trapped in hotel rooms for months, often years. These lengthy stays are ruining people’s lives, whilst lining the pockets of others.

Under the 1951 UN Refugee Convention, Britain has a legal obligation to house people while they wait for asylum claims to be processed. Historically, this has meant long-term, private, rented accommodation, self catering in houses, flats or houses of multiple occupation. Local councils were responsible for housing people and this was referred to as ‘dispersal accommodation’

From 2020, there was a shift. Responsibility for housing people, became the responsiblity of the Home Office. The practice was introduced by the last Conservative government during COVID lockdown, to facilitate social distancing. Since, there has been a significant increase in the use of hotels to house people. The policy has continued under Labour, however between 2023 and 2024, across the UK, the use of hotels as asylum accommodation decreased. The only exception being London, where usage has increased. (2) In July 2025, Jonathan  Darling, Professor in Human Geography at Durham University reported (3)

In 2025 Clearsprings founder and director Graham King entered the Sunday Times rich list, with a net worth of £1.009 Billion. (4)

Back in the hotel, the session is coming to an end, it’s been busy. One of the children doesn’t speak the same language as the rest of the group, and has no English, it’s nice to see the others recognise this and make sure he is included as they play together. As we wrap up, everyone is helping pack away and put the chairs back in their place. The parents were happy, commenting there is very little for the children to do here, and it was a good bit of exercise for them.

References

1: https://fullfact.org/immigration/former-employee-hotel-asylum-support-mobile-phones

2: https://migrationobservatory.ox.ac.uk/resources/briefings/asylum-accommodation-in-the-uk

3: https://theconversation.com/how-the-uk-became-dependent-on-asylum-hotels-258767

4. https://www.thetimes.com/sunday-times-rich-list

MAKE NOISE ♮ CREATE PEACE

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